Showing posts with label landscape even w/o deeper meaning. Show all posts
Showing posts with label landscape even w/o deeper meaning. Show all posts

Tuesday, August 26, 2008

flavor mac and trac

FLAVOR MAC AND TRAC



ONE



Lugging hot peppers and wax and people calling names, the box of salt and stew gave three high fives and went to the store for some rock salt clever and big. It started to rain on the way, the way it would do if you stopped to think about it, and nobody said anything about it, just walked and took cream camera pictures, laughed, and stopped doing all those things. They coughed and struck noon, lunched on gold beans, nothing more today. Nothing more.

A door opened for no reason at all.

Everyone took one cabbage each, one that wasn't really a cabbage, and threw it at other non-cabbage cabbages, gave pork to the doctor to eat, who would then eat it and proclaim angrily things. It's a soup, it's a shirt of pork, a suit of pork, no one stopped it from being pork. The doctor called her mother, her mother called the plumber, and the seven deadly sins called me late for dinner.

“View this ridiculous red,” said Fred to his glove. The doctor made a weapon of her boxes, looked like a canny kind of trumpet. This is where everyone made ducks out of ducklings, in 20 years or so of deep thought.

There was a front door and a side door, and the doctor had made a soda and fizz, or a fizz and giraffe, or a fizz. The doctor and her mother and the man called Fred.

It's time for a picnic. The end is nearly near. My heart is putridly forgetful about things like this, that, and more. More. Sugar, seven men, me, seven men, sugar, sugar, sugar, and me. Seven of them went home with bruised behinds, took pills made of garlic and toffee cod, stood on crates, used their eyes for the last ten seconds of the time, before cutting them with porridges and suit flares. They coughed and hoped no one heard.

TWO



The flavor was red and brown spotted, rectangular and solidly built, with red lips and brown sauces cutting upward and around in flayed engines. It looked to the doctor and such like a gold red hat of cotton moth men belief systems. She stood on clubs and splinters, waited for a cough reset, so she could have a talk with the glove of Fred and Fred's thoughts. Such things were old and green and not enough time was devoted to them.

“Snooky,” said the mother and her two ass-riding cob doggers. “Shut the sans sauce cat, gut the worms, and produce nausea cat planes for clasping!” She did three somersaults in my mind, although not in anyone else's, and I immediately recognized this. That's not important.

The doctor, who was wearing yellow stains of cat, said in reply, “The check is in the mail, the rain is of cheese and cloth, mostly cheesecloth really, and I hate you and all that you touch.” She patted her clasps, which were too tight.

A flayed old cat man, grandfather, sir gauntlet type of creep, old and flayed, stayed quiet for the first few things said, about 20 minutes. He then twirled, but only once, and gave roof-of-mouth blessings at loud intervals. His crack showed its essence and ballooned the dog pile to dust boats, making everyone uncomfortable, but not me, who wasn't even there. It's hard to say if that is important or not, so I will not say.

Golden spaniel chilled a clock of lox bats, threw ducks in the sandwich, which quacked cries of duck doom, polluted the norm. We let go of doctor's head, which was in a clamp of toothpaste and iron. She nodded and stopped nodding, and her mother did not nod.

The doctor's mother waited for everyone to stop moving, which was bound to happen, and then whipped out a red card with sordid concepts, blinked quickly and in mesmeric patterns, cut each of the people present a shot long way with paper, and replied to no one, “The bologna sandwich is stupid. Don't try to weasel out of this. I am short and cupid.” She ducked for hours and no one noticed any longer.

There were sorts of pants I cannot mention.

THREE



Gobs of second cut from grass paper dot the dots of cloth waning the true feelings of my aunt Selma. Selma shines in these matters, like a clucking bar graph, and she waits until no one thinks she's worth anything to give fingers. That's the way with her fingers. Selma is crass and cold sometimes.

The dog and Selma didn't get along. They clubbed a mother's uncle and cried about it, but no one saw crackers. That's the kind of face we were wearing and speaking about at the time, and I'm not ashamed. I died a little heart clock waiter boil, and Selma slipped on dog wire and Tabasco sauce before continuing on her rant and wire hanger business. I was grateful for her head lure.

“Shine black cloths in the Seth weapon,” she said under my breath, “then cup the dog lover's old frog breath mitt sense,” and furthermore, she also said, “good chapping lad friend. Cook and don't cook all of the time.” The time, the time.

The brown, the orange. The bait, the lure. The shed cackle.

I wait and don't think, then Selma comes and gives me marbles, and I roll them down and up, more successfully down, and think about proper etiquette. I am made of half-onions and onion halves. It is not the time to remember the doctor yet. Cummerbund head and cloth tapestry, the axle is black and faced. I eat heads of duck.

Selma is right there, being auntish and peckish and prude, cupping her globs of module staff. I whisk her away for a while.

Saturday, April 12, 2008

Day Poem walkthru: @@@@ K'at

[ =@ Kame :: Six Death ]

I'd like to walk you thru another of my Day Poems. You may not care, but so it goes. I will share w/ you Four Net (2008-4-10) & tell you from where I got my words.

First, you should read it on its own. Interpret it (or don't) however you like. Yr response has no less validity than my ideas about it. Probably more.

jumblrain & fingrglyphing timps
gray carbeptat grinnish
pitterwind & I made Unders
Soppingtown they go to brass circles
building up a Macronose
they centering celebeans (!)
Symphony Callstreet, puddles
my egg. . . . .
nine minus seven of Them, plus th 2nd!
First of all try to reiterate a word he left.
landscape even w/o deeper meaning
made to bustle, to cry
she didn't, but I did (topping metal)
Value.



There. Now I will elucidate line-by-line.

jumblrain & fingrglyphing timps

I feel jumbled going into a rainy day of dogwalking. At th first house I go to, th dog's owner asks about th funny symbols on th notes I've left. He points w/ his fingers. I tell him that I draw hieroglyphs of th Mayan calendar days to practice them. In th car, I play Webern orchestral music on th CD player, & I notice th timpani.

gray carbeptat grinnish

Th sky looms gray as I go. I have some extra time, so I sit in my car & take a moment to write in my Book of Days. Thinking about th word "car," I remember "carbeptat," a word I once coined for th sole purpose of annoying my friend Dan. Remembering him & our odd relationship makes me grin.

pitterwind & I made Unders

I sit in my car; rain makes a pittering against th windows as th wind blows outside. I read a bit of Being & Nothingness & underline bits that I like.

Soppingtown they go to brass circles

I walk more dogs thru their neighborhoods (towns) in circles; they become sopping wet. I notice th brass section recorded on my CD. (I may have switched from Webern to Shostakovitch by now; I can't remember.)

building up a Macronose

Later, I do an evening walk for a dog & particularly like named Maggie. She lives w/ a cat who has extra toes. Th first time I walked them, I referred to them in my Book of Days as "Wisdomutt & Manytoes". I liked that line & wound up singing it later in a song. In subsequent visits, I've made it a habit of creating a new line that sounds like th original: "wish them luck & pantyhose" for example, which I also sing. This time, I write "building up a Macronose".

they centering celebeans (!)

I visit Chase & Sara(h) at Coffee Studio. They serve me coffee (beans) & we center on good conversation. I enjoy th conversation quite a bit & later think of th visit as a celebration. My excitement about it comes as a surprise (& an afterthought), which may help explain my punctuation here.

Symphony Callstreet, puddles

Heading down th street to Logan Square to see my friend George, I make some calls: to Tiffany & to my bosses. I listen to a Shostakovitch symphony & drive in puddles.

my egg. . . . .

I notice that I feel a little anxious & jumpy (from th caffeine, I assume), & th realization makes me notice my head (egg). I don't know what to say about it, but I notice it.

nine minus seven of Them, plus th 2nd!

After finding parking, I sit in th car to allow Shostakovitch's 2nd symphony to finish. Nine minutes have passed & seven minutes remain. A short symphony. I also, just for fun, create an equation (9-7+2) which equals 4, th number of th day on th Mayan calendar.

First of all try to reiterate a word he left.

This line appears in a very awkward translation in th liner notes of th CD I listen to.

landscape even w/o deeper meaning

Watching Werner Herzog's Fata Morgana w/ George, this line appears in th narration. I like it, & it might apply to my Day Poems, so I write it down.

made to bustle, to cry

Fata Morgana sort of bustles w/ meaning & energy & goings-on. It makes me feel lots of complicated things. Th next movie we watch, Lessons of Darkness, makes me feel like crying.

she didn't, but I did (topping metal)

When I come back, I discover that Tiffany didn't do th dishes. We had assigned th night as "my dish night," so she didn't have to, but I suggested that she might do them as a trade for a day that I did hers. Anyway, I note that she didn't do them but I did. Then I think, "So what, Andrew, do you want a medal?" I put a metal bowl on top of th rest of th dishes on th drying rack.

Value.

I read a bit of Being & Nothingness before bed. Sartre discusses value. I don't understand him very well right now, but th word seems to me one complete thought to end th day w/.