Showing posts with label coffee. Show all posts
Showing posts with label coffee. Show all posts

Sunday, November 30, 2008

I & I


^ traces of a project we did recently at SDaS.

Hellohi.

Over this here Thxgiving break, all my housemates have left town to go see family, & I've had La Casa all to myself! Well, sort of to myself. I've had my best friend w/ me th whole time, my wee beagler Sophie. Also, I've had ten cluckers in th shed to go visit - egg-laying chickens who need feed & water. I choose to eat eggs from our chickens (but still not from any others), since I believe they live well; but w/ no one else around, th eggs accumulate & wait. Still, I've done my part & made eggs for most of my meals this week. I figure, some fat, protein & cholesterol could only do me good. My body doesn't seem to mind.

Th week started off wonderfully, as our friend Beth hosted a Composition Intensive at her house that went from Sunday at noon to Monday night. This involved people coming over, grabbing a pillow, a chair, a bedroom, what have you, & working on something in th company of others working on their own things. Then, at certain intervals, we'd take a break from working to "check in" w/ everyone else. We'd give updates on what we did & set goals for th next chunk of time. I especially enjoyed check-ins because we would use Skype to call other people scattered over th country who wanted to get in on this long-distance. You can see traces of what this project looked like here.

My friends Anna & Michael had me over Wednesday & Thursday to play games. So for two nights in a row, we pulled out Killer Bunnies & th Quest for th Magic Carrot, an old favorite of mine that I haven't hardly played since I lived in Troy, NY. Also, Catch Phrase went over well, as it tends to do. Anna expressed an interest in playing "socially relevant games" (as opposed to these "socially irrelevant games" I guess). Altho I don't think we have a clear idea of what that means yet, I share that interest & want to help organize a different sort of game night in th near future.

I've spent my late evenings blasting German operas on th living room stereo system while sipping bourbon.

I've also done quite a bit of reading about cybernetics this week, in particular th cybernetics of cybernetics, or second-order cybernetics (where you apply cybernetics to cybernetics itself). Says Ranulph Glanville on this:

"What characterises the Cybernetics of Cybernetics is the inclusion of the agent that is determining the system under consideration. It is the insistence that observation needs an observer and that any account that pretends otherwise is essentially in error. It is the insistence that there is (inter)action, that there are processes and that we are involved with and in our processes. It is the insistence that there is no thinking without the thinker and that there is no thinking without thinking."

~Ranulph Glanville, in his paper "Chasing the Blame"


I like all this & want to do more w/ it. I recommend that paper, if you'd like a fascinating read. Indeed, do call me up for a chat, if you'd like to have one, about cybernetics, or about anything.

Which reminds me: VerizonWireless has turned off my cell phone. Probably because I haven't paid them in months. Anyway, I do have a landline, & if you'd like to call it, do!

La Casa Landline: (217)365-9496.


By th way, we have a bunch of wet clumpy snow on th ground! Hooray!

I think I want to go out for some coffee & spend some more time w/ my books. Anyway, much love to all. I desire recurrent interaction w/ you.

Saturday, April 12, 2008

Day Poem walkthru: @@@@ K'at

[ =@ Kame :: Six Death ]

I'd like to walk you thru another of my Day Poems. You may not care, but so it goes. I will share w/ you Four Net (2008-4-10) & tell you from where I got my words.

First, you should read it on its own. Interpret it (or don't) however you like. Yr response has no less validity than my ideas about it. Probably more.

jumblrain & fingrglyphing timps
gray carbeptat grinnish
pitterwind & I made Unders
Soppingtown they go to brass circles
building up a Macronose
they centering celebeans (!)
Symphony Callstreet, puddles
my egg. . . . .
nine minus seven of Them, plus th 2nd!
First of all try to reiterate a word he left.
landscape even w/o deeper meaning
made to bustle, to cry
she didn't, but I did (topping metal)
Value.



There. Now I will elucidate line-by-line.

jumblrain & fingrglyphing timps

I feel jumbled going into a rainy day of dogwalking. At th first house I go to, th dog's owner asks about th funny symbols on th notes I've left. He points w/ his fingers. I tell him that I draw hieroglyphs of th Mayan calendar days to practice them. In th car, I play Webern orchestral music on th CD player, & I notice th timpani.

gray carbeptat grinnish

Th sky looms gray as I go. I have some extra time, so I sit in my car & take a moment to write in my Book of Days. Thinking about th word "car," I remember "carbeptat," a word I once coined for th sole purpose of annoying my friend Dan. Remembering him & our odd relationship makes me grin.

pitterwind & I made Unders

I sit in my car; rain makes a pittering against th windows as th wind blows outside. I read a bit of Being & Nothingness & underline bits that I like.

Soppingtown they go to brass circles

I walk more dogs thru their neighborhoods (towns) in circles; they become sopping wet. I notice th brass section recorded on my CD. (I may have switched from Webern to Shostakovitch by now; I can't remember.)

building up a Macronose

Later, I do an evening walk for a dog & particularly like named Maggie. She lives w/ a cat who has extra toes. Th first time I walked them, I referred to them in my Book of Days as "Wisdomutt & Manytoes". I liked that line & wound up singing it later in a song. In subsequent visits, I've made it a habit of creating a new line that sounds like th original: "wish them luck & pantyhose" for example, which I also sing. This time, I write "building up a Macronose".

they centering celebeans (!)

I visit Chase & Sara(h) at Coffee Studio. They serve me coffee (beans) & we center on good conversation. I enjoy th conversation quite a bit & later think of th visit as a celebration. My excitement about it comes as a surprise (& an afterthought), which may help explain my punctuation here.

Symphony Callstreet, puddles

Heading down th street to Logan Square to see my friend George, I make some calls: to Tiffany & to my bosses. I listen to a Shostakovitch symphony & drive in puddles.

my egg. . . . .

I notice that I feel a little anxious & jumpy (from th caffeine, I assume), & th realization makes me notice my head (egg). I don't know what to say about it, but I notice it.

nine minus seven of Them, plus th 2nd!

After finding parking, I sit in th car to allow Shostakovitch's 2nd symphony to finish. Nine minutes have passed & seven minutes remain. A short symphony. I also, just for fun, create an equation (9-7+2) which equals 4, th number of th day on th Mayan calendar.

First of all try to reiterate a word he left.

This line appears in a very awkward translation in th liner notes of th CD I listen to.

landscape even w/o deeper meaning

Watching Werner Herzog's Fata Morgana w/ George, this line appears in th narration. I like it, & it might apply to my Day Poems, so I write it down.

made to bustle, to cry

Fata Morgana sort of bustles w/ meaning & energy & goings-on. It makes me feel lots of complicated things. Th next movie we watch, Lessons of Darkness, makes me feel like crying.

she didn't, but I did (topping metal)

When I come back, I discover that Tiffany didn't do th dishes. We had assigned th night as "my dish night," so she didn't have to, but I suggested that she might do them as a trade for a day that I did hers. Anyway, I note that she didn't do them but I did. Then I think, "So what, Andrew, do you want a medal?" I put a metal bowl on top of th rest of th dishes on th drying rack.

Value.

I read a bit of Being & Nothingness before bed. Sartre discusses value. I don't understand him very well right now, but th word seems to me one complete thought to end th day w/.