pivot

I call something a "Pivot" when:

A & C alone contradict one another.
B contradicts neither A nor C.
A composed sequence A-B-C resolves th contradiction
since th composed sequence is neither A nor B nor C, but instead
a context in which th three can live
(a different logical type): X.

How to practice pivots?

2 Brünish somethings

2 related somethings written by Herbert Brün that I want to keep around.

First, from th program notes of his String Quartet No. 3:

If played and heard often enough, every musical gesture is prone to be interpreted, by musicians and listeners, as a gesture of musical speech. As the gesture becomes familiar, and thus recognized by society, the composed structure, in which the context generates the meaning of its components, will be misunderstood, instead, as one in which the components give meaning to their context.

In order to retard this development, this visitation of communicative familiarity, for as long as possible, I have attempted, in several of my compositions, to anticipate the gesture-forming tendencies within the composed structure and to reduce each of them ad absurdum by way of a non sequitur. I wanted, thereby, to rob trivial perception and partial recognition of the paralyzing effect that all too commonly is mistaken for understanding of music.

Th second, from My Words And Where I Want Them, #247:

Composition generates whole systems so that there be a context which can endow trivial 'items' and meaningless 'materials' with a sense and a meaning never before associated with either items or materials.

Be it linguistic art, where the sentence injects meaningful intent into mere lexicographic vocables, thus turning these into words-

be it visual art, where the configuration injects meaningful intent into mere perceptible data, thus turning these into spaces, shapes, movements and colorpatterns-

be it audible art, where the structuring of time and distance injects meaningful intent into mere acoustical phenomena, thus turning these into musical events-

sooner or later both the profiteering interpreters and the consuming audience will perversely deny the composers' competence and, instead, declare the sentence to be meant by its words, the painting to be meant by its components, and the music to be meant by its sounds.

In order to retard this unfortunate and inevitable decay (too many humans are indistinguishable from laws of nature) for as long as possible, I have contrived to inhibit such gesture forming tendencies in most of my compositions by using many a non sequitur as a structural leap over new gaps avoiding old bridges.

The intent is motivated by my non-malicious desire to keep not only my music as alienated as possible from 'business as usual' and to have not only my composition say something to the interpreter and the listener for the longer time than it may take them to just repeat their habitual commonplaces to themselves.

The survival of composition depends on the composer's art: anticommunication.

economic think(ing out loud)

Different people paying th same number of dollars does not mean different people paying th same value.

My $20 is, to me, a different value than your $20 is to you.

What would a proportional currency look like? Instead of "everyone has to pay th same dollars" it might go, "everyone has to pay th same proportion". Then, 20 proportional units ("poops," say) for me & 20 poops for you are, to each of us, th same value (more or less), but a different number of dollars.

In effect, each person would have her own currency which would convert to dollars at a different rate.

This assumes we develop a "fair" way of determining th "value" of $20 for each person.

What about th "value" of stuff for th seller? If I charge 20 poops for a candy bar, then some folks would spend more dollars than others on th candy bar (because of th different dollars to poops rates). If I'm selling a candy bar & I want more dollars, I'd try to attract th folks whose poops are worth more dollars.

But why would someone want more dollars? If I find a way to make more dollars, my poops are worth less.

If we had poops (& we cared about fair distribution of power), we wouldn't need dollars at all. Poops could cancel out th power of dollars entirely.

Maybe a proportional currency could exist alongside standard currency, added to th current economy for ease of sliding-scale-type transactions. If it were made easy for people to charge proportional prices instead of standard prices, I wonder if they would do it.

Another can of worms: organizations that function as people. Companies, corporations, non-profits, unions, committees, political parties. Do they get poop rates? Can a small business spend fewer dollars than a large business, but th same number of poops? Where do I stand next to X-mart, when we're competing to buy a thing?

Maybe dollars & poops are in contradiction. Yes, I think they are, & for th contradiction to get resolved, we need a different system.

a/c minn

Carly & I made it to Minneapolis. No puppet show after all -- we're here on vacation (till Tuesday).

We stayed th last two nights with a new friend from couchsurfer.com named Rachel. She was lots of good to us, & now we're staying with Brian from the Twin Cities Independent Media Center. We spent hours today trying to get our mitts on bikes, & we finally found a place that'll rent used bikes cheap (three of my favorite words!). We biked th beautiful park district bike paths around three teeny lakes tonight, & Carly has drifted off to sleep for an evening nap. I like this place & wanted to type some words about it (stockpiling warmth, she said when she woke up).

Recently, one question at SDaS experimental composition seminar has been, "how to seek your fruitful conflicts," &, meeting new people, I'm finally finding fruitful conflicts! I'm learning about questions & dynamics.

Brian says he's making dinner & Carly says she's baking vegan cookies. I have made no culinary promises, & might partake of something resembling a nap myself.

Love from a new state,
AndR